Witness of a century of metallurgical industry in Dives, the belfry, built in 1892, is a fine example of the dominant architectural style of the end of the 19th century – it has been registered since October 4, 2007, as a Historic Monument. Therefore, the question is how to increase the surface capacity required for the program without altering this exceptional heritage.
The project for the Palazzo dei Diamanti consists of an organic series of interventions aimed on the one hand at the restoration and enhancement of the sixteenth-century complex and on the other at the adaptation of the exhibition spaces and exteriors. The project is driven by the belief that architecture, unlike painting, sculpture, or other forms of art, is a living art that cannot only be contemplated in its beauty; an art which, in order to continue to exist, must be enjoyed and, if necessary, reinterpreted as it has always been in the history of architecture.
Las Casas Trava & Quintero are two rehabilitation projects for the built heritage of the Santa Lucia neighborhood, one of the most touristy areas in the Historic Center of the city of Merida (Mexico). The aim is to transform them into two spaces for temporary accommodation, taking advantage of their privileged location behind one of the city’s most popular public squares due to its cultural offerings.
The project is located in the center of the village of Rödelmaier in Franconia. After a long period of vacancy, the former farmhouse built around 1900, which in the meantime was slowly falling apart, was converted into a multi-purpose hall with an adjoining bedroom and barrier-free bathroom. The task was to demolish and reuse the dilapidated building fabric in a way that preserved the character of the village setting and street.
The project is located in the jungle of northern Peru, bordering Ecuador, and consists of the reconstruction of a primary and secondary school that receives more than 150 students from the rural area in the province of San Ignacio.
When this case was designed, the owner was an artist couple who positioned it as an exhibition venue for displaying antiques and fine arts. Therefore, the building must have the same temperament and texture and must show handmade texture and traces. hyaku yama is the name of the case.
“Casa dos Triangulos” was built in 1956 and designed by Vilanova Artigas in Sao Paulo, Brazil. A raised block configures the general volume of the building and houses four floors in half levels. It has an artistic panel designed by Mário Gruber. The restoration project proposes interventions updating its facilities and adapting the spaces for contemporary uses. It respected the architectural characteristics of the house removing additions that caused problems for its perception. The demolition of the servant’s facilities allowed a new relationship with the gardens that surrounded the house. The change reveals the cantilever at the rear of the house and allows better visualization of the artistic panel.
Bomnae Theater in Memory of Chuncheon Citizens – ‘Bomnae’ is an archaic word for Chuncheon. Bomnae Theater was a performance arena that long played a symbolic role in Chuncheon. This building was built in 1970 as Chuncheon Central Methodist Church (now Chuncheon Methodist Church), the oldest church in Chuncheon. When the church building and its annexes were purchased by Chuncheon City in 2000, it was renamed Chuncheon Art Plaza. Since then, it has been used as a cultural space frequented by citizens for various performances, but the improvement was inevitable due to safety issues and difficulty in facility use, as it was rated as a class D in safety inspection in 2017. For the conservation of the historical value of the building, the local government chose to remodel rather than develop a new structure. The decision was taken to raise the safety rating through structural strengthening and to preserve the symbolic wall decoration. Bomnae Theater was to be renovated by placing an emphasis on the restoration of historical value and sense of place as a modern urban historical and cultural heritage in the memory of Chuncheon citizens.
The architectural space is defined by light and matter. Building a space is not a constructive exercise, but the process by which these two elements coexist. This project revolves around the remains of what was the hermitage of Santa Ana de Porcuna. A space battered by the vicissitudes of abandonment and aggressive interventions with the building. The main objective of the project was, by recovering and restoring the pre-existing elements, to provide the necessary spatiality to recover the essentials of a religious space.
The set of proposed interventions does not want to be highlighted. The general objective is not to impose the face of the new, but to reveal in a new way what is already there, through articulations, spatial dispositions and new paths that the interventions discreetly provide. The emphasis of the new elements does not reside in their appearance, but in their performance, in what they are capable of promoting, in their effectiveness in dynamizing and enhancing the virtues of the preexisting ones.
Copyright © 2026 | WordPress Theme by MH Themes
