Museum

The site lies in Jeongna-dong, Samcheok-si, Gangwon-do. Samcheok Port is located to the east, with an industrial zone to the east and the south, a commercial zone to the north, and a residential zone to the north west. In A.D. 512 (the 13th year of King Jijeung’s reign), Silla general Isabu set off from this spot in Samcheok with his marine troops to conquer Usanguk, today known as Ulleungdo Island, and Dokdo Island, which was part of the Silla territory. Yukhyangsan Mountain, located at the centre of the site, was once an oceanic island at the time of Isabu’s departure, but has now become a mountainous region. Underneath this reclaimed land are the lower reaches of Yukhyangsan Mountain, which was once an island. The lower part of the Yukhyangsan Mountain was excavated, the site was lowered to its former altitude, and water was introduced. The water introduced to this area adopts the form of a pond with the name Yukhyang-ji, relating it to Yukhyangsan Mountain and alluding to the image of an island on the sea. An exhibition space tracing the historic features throughout the newly revealed site will come to play a role as na ew cultural site in Samcheok, and recover what in the landscape had been lost to the past.

The Museum of the Amazons (MAZ), a cultural space dedicated to valuing science and technology in the region, opened to the public in Belém on October 4th. The museum is part of Porto Futuro II, which comprises a set of works carried out by the Government of Pará, left as a legacy from COP 30 to the capital of Pará. The Pará-based office Guá Arquitetura and the Rio de Janeiro firm be.bo. architects are responsible for the design of the 3,100 m² warehouse. In parallel, the duo developed the museum’s permanent exhibition design, which will open in 2026.

The Museum of the Amazons (MAZ), a cultural space dedicated to valuing science and technology in the region, opened to the public in Belém on October 4th. The museum is part of Porto Futuro II, which comprises a set of works carried out by the Government of Pará, left as a legacy from COP 30 to the capital of Pará. The Pará-based office Guá Arquitetura and the Rio de Janeiro firm be.bo. architects are responsible for the design of the 3,100 m² warehouse. In parallel, the duo developed the museum’s permanent exhibition design, which will open in 2026.

The Museum of the Amazons (MAZ), a cultural space dedicated to valuing science and technology in the region, opened to the public in Belém on October 4th. The museum is part of Porto Futuro II, which comprises a set of works carried out by the Government of Pará, left as a legacy from COP 30 to the capital of Pará. The Pará-based office Guá Arquitetura and the Rio de Janeiro firm be.bo. architects are responsible for the design of the 3,100 m² warehouse. In parallel, the duo developed the museum’s permanent exhibition design, which will open in 2026.

The Museum of the Amazons (MAZ), a cultural space dedicated to valuing science and technology in the region, opened to the public in Belém on October 4th. The museum is part of Porto Futuro II, which comprises a set of works carried out by the Government of Pará, left as a legacy from COP 30 to the capital of Pará. The Pará-based office Guá Arquitetura and the Rio de Janeiro firm be.bo. architects are responsible for the design of the 3,100 m² warehouse. In parallel, the duo developed the museum’s permanent exhibition design, which will open in 2026.

Stasys Museum is located in Panevėžys, Lithuania, in the northern part of the city center. The main goal of the project was to enhance city development by creating a high-quality public environment that enriches the city center. It focuses on serving the public interest by improving the quality of life and promoting cultural awareness and artistic expression within a democratic, communal space. Additionally, the museum seeks to establish itself as a leader in public services through superior content and functionality.

The New Taipei City Art Museum is situated on reclaimed land at the convergence of the Yingge River and Dahan River. The gently sloping site resembles an island within the flowing streams, offering captivating views of the majestic mountain and river landscapes. To the north lies Guilun Mountain, while to the south, the museum overlooks the Dahan River and Xueshan Range. Drawing inspiration from the region’s rich history and culture, the design incorporates elements such as the dry riverbed, the quaint charm of old streets and brick buildings, and the swaying reeds, particularly abundant during the autumn and winter seasons, to create a modern and prospective architectural form, a “museum of modern and contemporary art among the reeds.”

The Site Museum for Humayunís Tomb has been envisioned as the spatial link between the significant and distinct historical sites of the Nizamuddin Basti, the Sundar Nursery, and the tomb of the second Mughal emperor, Humayun.  To establish a spatial threshold – significant in terms of providing a sense of place for this ensemble of Mughal-era landscape and architecture -the Archaeological Survey of India, supported by the Aga Khan Trust for Culture, proposes to build a Site Museum as a vital public amenity, facilitating the visitorís experience of Humayunís Tomb and adjacent sites.