Since 2019, Art Hub Copenhagen has been based in the Kødbyen, Copenhagen Meatpacking District. Within a couple of years, it will move to a new location. This temporary perspective is a premise that is turned into the general dogma: Every element must be reused. Nothing is discarded but rather revitalized through the alteration of function and appearance.
In the old town of Llucmajor (Mallorca), occupying part of the house where the photographer Toni Catany was born, we built the International Photography Centre, based on the work and the collection of this great artist.
The Xitang East Area under construction is the eastward expansion of the old town of Xitang, including nearly 100,000 square meters of tourist retail, hotel, visitor center and cultural facilities. After completion, it will become a new entrance at the northeast of the old town. Xitang East Area is divided by a river into two phases. As the key point of Phase Ⅱ, Building One locates at the southwest corner of the northern site, facing the river on the west and south sides to overlook the old town and adjoining the Phase Ⅰretail blocks on the other side of the river.
We focused on a special story of our brand in order to spread the strengths of Sumsei in the room. Sumsei has products that mostly encounter bare bodies or bare feet, such as ‘body dryer’ which is the leading product that is used to easily dry the body after shower. We paid attention to the fact that it is the closest brand to our body among many products that we easily pass by in our daily life. Wind blows when we stand up on Sumsei with a bare body, and the wind slowly awakens our senses. The awakening of the senses is the process of constantly redefining oneself by the senses from recognizing one’s body as the subject of the senses. Sumsei awakens our senses from head to toes and constantly ventilates our existence like the poem “Flower” by the poet Kim Choon Soo and the “rose” of the Little Prince, and this is the key element to unraveling the space of Sumsei.
For decades, Mecidiyekoy square has been the black hole of the city for it was extremely exposed to dense traffic, noise, and exhaust fumes, being located under the viaduct of public transportation.
Local Collective and Stigma Room – a collective of architects, artists, and researchers – have transformed a ground floor retail into a contemporary bathhouse in Notting Hill, London, for skincare brand Malin+Goetz and the Arts Council England.
Adaptive reuse of the warehouses of Gamazo, the project provides new exhibition spaces for the Enaire Foundation in a prominent location on the former port of Santander. The main building was conceived in 1901 by Jesús Grinda y Forner but was substantially remodelled in the 1950s when the northern pavilion was added. Multiple alterations have occurred since then. In 2018, upon our arrival, the storehouse was substantially damaged. A restoration, and a cleansing exercise, set the basis of our intervention on the existing, eclectic, and heterogeneous warehouse. A careful renovation informed by the building’s history accommodates the new exhibition requirements. Simultaneously, the project aims for a certain abstraction. Turning the building white merges its diverse materials—a milky, long building next to Oiza’s strident Festival Hall.
Arts Project Australia — a proud, strong, and unapologetic social enterprise — is central to contemporary art practice in Melbourne through providing art studios and services for artists with intellectual disabilities. This upgrade to its entrance and reception celebrates APA’s contribution to the arts by providing a warm hug to the artists upon entry.
Built for military force, Fort Worden stood as an armed overlook, protecting Puget Sound coastal cities and shipyards from invasion during both World Wars. Today it stands as a Lifelong Learning Campus, using its place on the edge of the Salish Sea to amplify connections between nature, art, and community. Following a master-planning process, the Fort’s warehouse district was prioritized as the greatest opportunity for investment, and the vision for Makers Square, a trio of renovated warehouse buildings, evolved.
Peterson Rich Office’s first public art gallery — the New York flagship for Perrotin — involves the complete adaptive reuse and redesign of The Beckenstein Building. Constructed in 1890 and located at 130 Orchard Street on the Lower East Side, the building has evolved from residential lofts to commercial use, and now functions as an open, flexible contemporary art gallery and workspace. Because of its scale and varied uses, the building functions more like an institution than a commercial art gallery.
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