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A Curated Guide to the Modern Architecture of São Paulo

July 4, 2017 Romullo Baratto 0

There are many ways to get to know a city. There are those who, when commenting on a particular city they have visited, remember the gastronomy and restaurants they frequented. Other travelers will remember the music and the parties; others will remember specific markets or events. You, a keen ArchDaily reader, probably took careful note of the architecture above anything else.

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A Curated Guide to the Modern Architecture of São Paulo

July 4, 2017 Romullo Baratto 0

There are many ways to get to know a city. There are those who, when commenting on a particular city they have visited, remember the gastronomy and restaurants they frequented. Other travelers will remember the music and the parties; others will remember specific markets or events. You, a keen ArchDaily reader, probably took careful note of the architecture above anything else.

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How Architecture Speaks Through Cinema

June 15, 2017 Romullo Baratto 0

“There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote novels spoken in the days of silent film. Like Alain Resnais, who sculpts. And like Socrates – I mean Rossellini, who creates philosophy. Cinema, in other words can me everything at the same time, judge and litigant “- Jean-Luc Godard [1] 

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The Residential, Monumental, Gregarious and Bucolic Scales of Lucio Costa’s Brasilia

May 31, 2017 Romullo Baratto 0

“What characterizes and gives meaning to Brasilia is a game of three scales… the residential or everyday scale… the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility… Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping… We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside.” – Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.