Articles by Matthew Maganga

In today’s globalised, ever-evolving world, the architectural field continues to re-invent itself. Innovation has seen the emergence of new building technologies and new methods of communicating with clients, however, in some ways, a large majority of the architecture industry is still outdated – architects relying on client fees received from projects to run their architecture firms. Perhaps as a consequence of the emergence of start-ups in the technology sector, and the increased competitiveness of the global economy, architects have more recently chosen not to confine themselves to within the world of architecture and use their unique skill-sets and abilities in entrepreneurial ways.

At the heart of it, architecture is an inter-disciplinary profession. Ranging from structural engineers to quantity surveyors, a design project thrives from the collaboration of individuals from various fields of work. An often-overlooked connection is the link between the fields of architecture and archaeology, which in more ways than one have a lot in common. In a time of increased awareness on issues of sustainability and heritage, the expertise present in the field of archaeology plays a vital part in the preservation of architectural landmarks of historical significance. This expertise can also play a significant part in creating sensitive architectural interventions suitable for their context, contemporary in their design while responding to historical precedents.

The legacy of the Modernist movement is a complicated one. Spanning a diverse assortment of fiercely debated sub-categories and styles, the Modernist style has established its presence in virtually every continent. Although the movement’s origins may be rooted in Europe and the U.S, outside of the Eurocentric canon architects have redefined and re-established what the definition of a “Modernist” building is. In Sri Lanka, for example, architect Geoffrey Bawa’s sensitive, nature-inspired architectural responses gave rise to the “Tropical Modernism” label. Over in the African continent, it is in the East-African country of Tanzania that some highly unique examples of Modernist architecture are found – headed by architects Anthony Almeida and Beda Amuli.

Fifty-one years ago, in 1970, a Japanese roboticist named Masahiro Mori came up with the concept of the “Uncanny Valley”. Around the same time, architectural renderings done using analog methods were still in vogue – collages and photomontages used to get ideas across to clients. A decade later, personal computers came along, and that saw the emergence of CAD and the wider adoption of digital rendering. Today’s architectural renderings are almost imperceptible from reality, with the increase in sophistication of rendering sofware. We struggle to tell the difference between what is a rendering and what is not – or rather we are able to tell a slight difference and it leaves us slightly uncomfortable, which brings us to Mori’s uncanny valley.

In Design and the City’s fifth episode – a podcast by reSITE on how to make cities more liveable – filmmaker and visual artist Gary Hustwit was interviewed on his creative process and evolution, and what motivates him to make films that strive to make design more accessible to the general public. The interview delves into the process behind Hustwit’s filmography, from documentaries such as Helvetica, which explores the use of type in urban spaces, to films such as Rams, a personal and intimate portrait of the influential German industrial designer Dieter Rams.

Talking to the Louisiana Channel, German architect Anna Heringer outlines the way she works and her multi-disciplinary approach to architectural practice. Growing up in a small town at the Austrian-Bavarian border close to Salzburg – Heringer spent a year living and working in Bangladesh at the age of 19, a place that is now home to a majority of her office’s projects. Heringer describes herself as a mix of things in addition to being an architect, describing herself as an activist and a development worker – using her creativity to explore ideas in a variety of forms and media.

The ongoing pandemic has been a disruption to the everyday routines of billions around the world, as due to being confined to their households, the separation between work and rest has become extremely blurry, with people forced to rethink and reconfigure the layout of their personal spaces. Conversations have abounded on how to create flexible working spaces in a home environment, and if offices themselves are an outdated model that we should leave behind. A missing part of that conversation, however, is the impact that the pandemic has had on children, specifically primary-school level children, on their education – as inequalities are emphasized, some children learning with slow internet connection speeds, or struggling to have the space required to adequately complete educational activities.

The city of Madrid can be viewed as a place that is representative of all the architectural styles found on the European continent. 16th-century Renaissance buildings and 18th-century Baroque buildings all co-exist in harmony with more modern architectural styles such as Art Deco or the expressive contemporary architecture of recent years. Iconic contemporary architecture firms such as Herzog & de Meuron and Rogers Stirk Harbour + Partners, with projects such as the BBVA Headquarters and Madrid-Barajas Airport Terminal, have all played a part in defining Madrid’s architectural character too, making for a city with highly varied and distinct streetscapes.

In the midst of International Women’s Day which was on March 8th, this year features a week-long curation of articles and editorials by ArchDaily, seeking to dissipate the gender disparity that exists in the world of architecture. In highlighting women’s voices in architectural conversations – the following are 10 interviews from ArchDaily’s archived Youtube playlists that feature inspiring women figures in the world of architecture.

In a recent interview with Louisiana Channel, Copenhagen-based architects Søren Johansen and Sebastian Skovsted share insights into their design process – stating the importance of creating architecture that seamlessly blends into the landscape yet stands out on its own right. Discussing the minimalist nature of their projects, the architects are careful not to put themselves in a box, saying, “When you ask about minimalism in our work, or any other ism, we are not interested in simplicity for simplicity’s sake.”