Articles by Camilla Ghisleni

Between 1960 and 1976, Belgium‘s capital became a center for architectural experimentation, blending modernist ideals with prefabrication. This period led to the creation of two iconic buildings: the CBR Office Building (1967-1970) and LH 187 (1976), designed by Constantin Brodzki and Marcel Lambrichs. Located side by side, these buildings share a striking architectural style. Both feature facades made from large prefabricated concrete modules, showcasing the brutalist aesthetic and a dedication to using industrial materials and innovative construction techniques for their time.

From subtle light beams to wide openings, skylights transform natural light into a powerful architectural tool, creating a dynamic interplay of light and shadow that adds movement and vitality to buildings. This intricate dance captivates not only with the patterns the light casts on surfaces but also with the practical benefits of overhead lighting, such as improved thermal comfort and enhanced well-being.

Latin America‘s natural landscape is incredibly diverse, featuring everything from majestic mountains to expansive deserts. In this varied geography, many architectural projects are noteworthy for their seamless integration with their surroundings, blending subtly into the landscape. This is accomplished by carefully choosing materials, colors, and shapes that reflect the natural environment.

Connection with nature has become increasingly important in architectural theory and practice in recent years, especially after the COVID-19 pandemic, which emphasized the role of natural environments in healing. During this time, many scientific studies highlighted the positive effects of green spaces on human well-being, whether in workplaces, homes, or urban areas. With these proven benefits, it is clear that incorporating natural elements into hospital designs is crucial, creating spaces that provide vital support for patients facing physical or mental challenges.

As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.

The term “retrofit,” unlike rehabilitation or restoration, has been adopted by the market to address technological upgrades in existing buildings. These projects focus on aligning constructions with local technical standards and adapting spaces to be more functional and sustainable, meeting current demands.

Latin American architecture is rich and diverse. This is reflected in the various stones used across different regions over the centuries. These materials highlight the varied geology of Latin America and illustrate how local cultures have adapted their construction methods to natural conditions, resulting in unique and meaningful architecture. In contemporary architecture, stone aligns with sustainability principles due to its durability, low carbon footprint, and local availability. Additionally, stone’s aesthetic appeal enhances the creation of timeless spaces that strengthen the connection with nature and the surrounding landscape.

The 21st century has dramatically transformed school architecture, driven by new educational philosophies, technological progress, and social values emphasizing sustainability and inclusion. This change goes beyond mere aesthetics, deeply reshaping how physical spaces contribute to education. Traditional narrow hallways and rows of desks have been replaced by dynamic, flexible spaces that are well-integrated with their surroundings and the community. These modern designs prioritize versatility and multifunctionality.

Silos hold a significant place among the remnants of the industrial era, distinguished by both their technological innovations and their iconic presence in urban landscapes. Typically cylindrical and made of reinforced concrete, these structures effectively addressed the demands and challenges of industrialization, providing a robust and economical solution for storage. However, throughout the 20th century, with the advent of new logistics and the relocation of activities from some urban centers to expanding areas, many of these silos were decommissioned.

“A bathroom is a place where everyone is equal—there is no rich or poor, no old or young; everyone is part of humanity.” This reflection was shared by Wim Wenders, exponent of New German Cinema and director of the film Perfect Days (2023) when asked about the striking sets of his most recent work. Wenders selected Tokyo‘s public restrooms to craft a narrative that deeply explores themes of solitude, simplicity, and the beauty of everyday life.